PROGRAMMABLE

This unique pedal design captures the lush, muscular power amp
distortions of both Class A and Class A/B tube amps. The tones can be
used individually or you can feed one into the other for massive ‘cascading’ distortion and limitless tonal variation. The 100% analog Double Drive 3X is a 3-channel, fully programmable version of its single channel predecessor and features active 3-band EQ. The expanded tone section gives you even greater flexibility to create incredible and original tones. You can store three custom sounds, even on the fly, by simply tweaking the knobs and double-tapping on a footswitch. How easy is that? And, with both Drives at minimum, you can program a clean boost up to 10dB for blazing solos.

DRIVE A controls the amount of Class A power amp output stage distortion (like Vox AC30®-style amp), rich in even harmonics. The amount of harmonics is dynamically controlled by the input level and their ratio by how hard you pick.

DRIVE A/B controls the amount of Class A/B power amp output stage distortion (like Fender®/Marshall®-style amps), rich in odd harmonics.

The signal path of Drive A runs into the signal path of Drive A/B. This results in an electronic multiplication, rather than addition, of the amount of distortion to achieve a cascading effect.

With just the right balance of odd and even harmonics, the American Woman recreates the cascading effect of two different amplifiers, including pre-amp and power amp stages. This effect is typically only achieved by running two guitar amplifiers into each other. For versatility, the American Woman pedal can also be cleaned up for semi-dirty and warm blues sounds.

Controls include:
- Drive for the amount of overdrive
- Gate to reduce hiss & noise when you’re not playing
- Tone shifts the high cut from 10kH to 1kH, allowing you to
remove the high end without losing mids or getting muddy
- Level, which is capable of extremely high output - 10dB

Other features:
- 1 megOhm high impedance ¼ “ input (same as traditional tube amps use)
- 1Kohm low impedance ¼” output
(drives long cables without loss of signal integrity)
- Smooth, silent-switching custom actuator
- Heavy duty, all metal housing, removable battery compartment door

Build your own rig

Sansamp GT2’s streamlined design allows you to “architecturally” create your own rig in seconds by choosing amplifier type, modification, and speaker cabinet/mic placement configurations. We’ve taken the best parts of the most wanted tube amplifier set-ups and broken them down into individual, user-accessible “components”. You can easily mix and match specific sound characteristics in ways that would otherwise be physically improbable, probably impractical, and definitely not cost effective.

XDI Computer Interface (XDI)
With the SansAmp XDI, Tech 21 has once again redefined the term “direct box.” Designed as the ultimate instrument interface for SansAmp direct recording software, mixing consoles and computer sound cards. Its intelligent design features advanced, low noise F.E.T. technology to provide a natural, transparent guitar signal into your computer. SansAmp XDI can also function as a standard transparent active direct box to preserve signal integrity when transmitting a signal over long cable lengths.
Price 229.00

ARMD Midi Converter (ARMD)
MIDI Converter to control footswitch functions of multi-channel Trademark and Landmark Series of amplifiers with any MIDI controller. You simply connect a standard 5-pin MIDI cable from the MIDI out on your MIDI controller to the MIDI In of the ARMD. Then connect the 1/4” Out of the ARMD to the 1/4” footswitch jack on the amp you want to control with a standard instrument cable.
Price 169.00

Latching Footswitch (FSPL) 59.00
Sansamp Momentary Footswitch (FSPM) 69.00
Midi Sansamp Midi Mouse Pedal (MIDI) 289.00
Midi Sansamp Midi Moose Pedal (MIDIMOOSE) 549.00

A pre-amp, Stomp Box & DI all in one!

SansAmp Bass Driver DI gives you the warmth, presence and punch of a miked-up bass tube amp system in a conveniently portable direct box/pedal format. SansAmp Bass Driver DI can be used as a pre-amp or stomp box with your existing stage rig. You can drive a power amp and speaker cabinets. Or go direct into the mixer of a recorder or P.A. You can also plug into a power amp or conventional bass amp and a P.A. system simultaneously. For studio and live applications, SansAmp Bass Driver DI is engineered with three outputs: an effected XLR, and effected ¼“, and a parallel, unaffected ¼”. The footswitch activates the Tube Amplifier Emulation circuitry. Disengaging the circuitry enables you to use SansAmp Bass Driver DI as a standard active transparent direct box.

Triple Channel Programmable Stomp Box

SansAmp TRI-A.C. is a 3-channel programmable stomp box with three independent footswitches. It combines the warmth of a 100% analog signal path with the convenience of digital programmability. SansAmp TRI-A.C. features Tech 21’s highly-acclaimed proprietary analog circuitry that captures the rich, natural harmonics and sweet overdrive characteristics inherent to tube amplifiers. Its built-in speaker emulation encompasses all aspects of multiple mike tube amp rigs. When you select one of the 3 pre-voiced amp styles, every dimension of each individual personality changes. It is not merely a difference in EQ or gain structure.

TWEED = Fender® - style
BRITISH = Marshall® - style
CALIFORNIA = Mesa/Boogie® - style

Still The Original. Now a Classic.

Of the pedal models, SansAmp Classic is the most flexible and sophisticated. You can obtain a wide spectrum of the industry’s most sought-after tube amp sounds and customize entirely new ones as well.

Still made almost entirely by hand, the Classic’s main module contains a bank of eight Character switches, which adjust the fine and subtle nuances of tonality, harmonics and dynamics. Its unconventional design not only keeps the unit compact, it is the key to the wide range of sounds you can achieve.

Single channel, 1x10, 30 watts

We call this our Direct Recording Combo Amp. The heard of the crafty Trademark 30 is a modified version of the super flexible SansAmp GT2 pedal design. Construct your tone by selecting amp character, grain structure and speaker type, and then use the Drive controls and active three-band EQ to nail your sound. The 30-watt output is plenty loud for practice and monitoring, but the balanced XLR and 1/4” outputs bring the big tones of this little combo to the studio mixer or PA system. Bedroom, rehersal, studio, or club, the Trademark 30 will prove it’s a giant amongst compact combos.

1 x 12 - Celestion Seventy80 speaker, 80 watts, 8 OHMS (TRADEMARK 60) Price 1499.00

4 x 10 - Eminence speakers, 50 watts, 8 OHMS each 8 OHMS total load (TRADEMARK 60/410) Price 1995.00

2 x 12 - Celestion Seventy80 speakers, 80 watts, 16 OHMS each 8 OHMS total load (TRADEMARK 60/212) Price 1995.00

Two Channels 60 watts

Channel 1 offers a range of USA styles, from chiming clean to sizzling, saturated ‘tweed’ tone. The cunning Punch control sets the amount of midrange break-up and overdrive, and a Bite button tightens the low end and adds brightness. Things get way raunchier over in channel 2, with amp sounds ranging from crunchy to gnarly, to slamming Mesa Rectifier styles. A Weep button increases the amount of even harmonics and thickens the sound. Its powerful and sophisticated mnidrange control, appropriately named Growl, can produce brutal ‘scooped’ tones without any loss of girth or volume. The powers of the Trademark 60 are many. Experience how this soulful combo can work its magic like a tonal tiki god.

300-watt, 8-Ohm closed-back speaker cabinet with two 12” Eminence Tonker™ speakers.
Dimensions: 26”w x 19”h x 12”d.
Weight: 51.5 lbs.

The Power Engine 60 is an all purpose open-back Celestion-loaded, 1 x 12 powered extension cabinet. Each packs 60 watts of transparent power in a handsome exterior, which perfectly complements our Trademark 60 and 30 combos. It will accept XLR and 1/4” inputs and includes a balanced XLR output to ‘daisy-chain’ with other Power Engine 60s. Knowing that not all rooms are created acoustically perfect, you can compensate for less than ideal environments by adjusting the on-board, active three-band EQ. The Power Engine 60 can also be used with any direct recording device or acoustic pre-amp, analog or digital, tube or solid state, in stompbox or rackmount formats. Wherever your tones come from, make the Power Engine 60 your destination for portable, pure reproduction.

SPECS
60w 8 ohm - open back cabinet
Celestion 12” Speaker
Dimensions: 20” x 17” x 11”
Weight: 33 lbs

The 3-channel Trademark head is designed for the pro players looking for a traditional stack rig, without being locked into one particular amp style.

Incorporating Tech 21’s proprietary SansAmp technology, the 100% analog Trademark 300 provides a broad range of the industry’s most desirable tube sounds and the flexibility to create your own custom sounds.

The SansAmp Bronzewood 60 offers high-end professional quality sound. 100% analog SansAmp™ Tube/Microphone Emulation circuitry which removes the harsh harmonics associated with piezo pickups.

The distinctive Bronzewood 60 is covered in brown crocodile embossed vinyl complemented by a custom black grill and decorative brown piping. From studio to stage, and from café to coliseum, the Bronzewood 60 delivers exceptional sound quality in an affordable, cost-effective 38lb package.

GUITAR CHANNEL
- Compressor, ranging from 1:1 to 5:1
- Phase Switch
- Preamp control
- Notch Filter
- Mid shift & mid are sweepable, semi-parametric EQ controls and range from
170Hz to 3kHz. +/- 16dB, respectively
- Active tone controls, boost or cut +/- 12dB
- Unique Blend control enables you to determine the ratio of direct instrument
signal and SansAmp Tube/Microphone emulation circuitry
- Full-length, 3-spring Accutronics® X reverb

MIC CHANNEL
- XLR mic level female input
- 24V phantom switch to power a condenser microphone (or any other phantom powerable product)
- 3-band active EQ controls
- Reverb mix to control the balance of reverb between the guitar & mic channels

OTHER SPECS
- Special design 12” speaker
- Special design high-frequency horn
- SansAmp XLR direct out for stage and
studio applications allows you to go direct to any mixing console. For live gigs, you can run
directly into the PA system. In larger venues, you’ll be able to utilize the PA monitors to
supplement your stage volume
- Headphone output, which can also be used as a ¼ “ direct out
- Effect loop and courtesy outlet footswitch jack that accepts any alternating footswitch to control
the reverb function

SNARLING DOGS PEDALS

WONDER WAH 2 (SDPWWDW2)

So you want a wah pedal that is plain and simple yet still the coolest.

You step on it… it makes your guitar say waaaah. This baby not only does that, but it makes you feel it. Thick and Creamy … hummm… sometimes simple is best.

Controls: ON/OFF
White Room Wah Mode